Yunnia Yang: Curator for New Aesthetics: TAIWAN VIDEA 2017 Selection~ Video Screening Tour Around Europe ( July 19 -August 20, 2017) / «Taiwan Videa»2017Selection 臺灣錄像巡映歐陸交流計畫(2017.07.19-08.20)

2017年7月9日星期日

TAIWAN VIDEA 2017 Selection~ Video Screening Tour Around Europe ( July 19 -August 20, 2017) / «Taiwan Videa»2017Selection 臺灣錄像巡映歐陸交流計畫(2017.07.19-08.20)

《TAIWAN VIDEA》 2017 Selection
The Taiwanese Avant-garde Video Screening Project
Curated by Yunnia Yang

«Taiwan Videa»2017Selection
臺灣錄像巡映歐陸交流計畫

策展人:楊衍畇

Touring Schedule:
歐陸巡映行程：

1. July 19(Wed.), 2017 8:00pm
Republic of Macedonia: Museum of Contemporary Art, Skopje
馬其頓當代藝術館(斯科普耶，馬其頓共和國）

2. July 28 (Fri.), 2017 8:00pm
Croatia: Galerija AŽ Atelieri Žitnjak, Zagreb
GalleryAŽ （克羅埃西亞，札格列布市）

3. August 1(Tue.), 2017 8:00pm
Slovenia: SCCA-Ljubliana Center for Contemporary Arts
SCCA當代藝術中心-盧布里亞納( 斯洛維尼亞，盧布里亞納市）
* SCCA Program "No Nails, No Pedestals 2017" (Project Room SCCA, Metelkova 6, Ljubljana)
link: http://www.scca-ljubljana.si/news-en_17-20.htm

4. August 16, 19&20, 2017
Germany: art space "Rosalux" , Berlin
“Rosalux”藝術空間 ( 柏林，德國)
Opening and Curator's talk: August 16 (Wed.) 7:00pm
Exhibition time:
August 16 (Wed.): 7 pm – open end
August 19 (Sat.) : 2 pm – 6 pm
August 20(Wed.): 2 pm – 6 pm

5. September 16(Sat.),2017 2:30pm
Italy: 36th Asolo Art Film Festival
義大利阿索洛國際藝術電影節
link:https://www.facebook.com/events/2364758097083568/?acontext=%7B%22source%22%3A5%2C%22page_id_source%22%3A234947750340511%2C%22action_history%22%3A[%7B%22surface%22%3A%22page%22%2C%22mechanism%22%3A%22main_list%22%2C%22extra_data%22%3A%22%7B%5C%22page_id%5C%22%3A234947750340511%2C%5C%22tour_id%5C%22%3Anull%7D%22%7D]%2C%22has_source%22%3Atrue%7D

Film art is an important artistic expression in the contemporary visual culture. The charms of images dominate the lifestyle and way of thinking of our new generation. Among the Taiwanese contemporary arts, video art and experimental films enrich the visual aesthetics and symbolic meanings with their own critical character, originality and diversity. The internationally-awarded creative videos from Taiwan might become a fleeting glimpse of beauty. The curatorial project 《TAIWAN VIDEA》 is to converge the creative energies and aesthetic features of film art, including video art, performance art, experimental films and animations, digital animations, etc. The depth of these videos refers to many facets of human beings’ living conditions: the alert about the consequence of human desire challenging God with technology and civilization (Lin Peychwen’s “Making of Eve Clone I”), criticizing the desire law of chasing after the ‘Progress’ deteriorating humanity (Huang Zan-Lun’s “Double”); revealing the beautiful lies constructed by the authorities (Chen I-Chun’s “ The Piggy Song”), the seriousness of the collective consciousness manipulated by the contemporary media (Zhang Xu-Zhan’s “Ritual of Cathode Ray Tube”); a nutrition taken as a metonymy to criticize politicians devouring people’s future dreams with empty promises (Wang Ding-Yeh’s “Beef-Wonderful Promises”), analogizing the images of the New Year’s Eve fireworks and a candle as a metaphor of the contradiction between the celebration of a country’s future and the sacrifice of martyrs (Ho Wei-Ming’s “Over My Dead Country”); the danger and paranoia of overexpanding self-consciousness (Wu Tzu-An’s “Disease of Manifestation”), the spatial imagination of an individual searching for the freedom of his body and mind (Pu Shuai-Cheng’s “Secret Plane-Immense Floating”); the intimacy and mystery of cultural encounter breaking the cultural stereotypes (Chang Huei-Ming ‘s “Tough Town”), questioning about simulated scenery in everyday life (Tsui Kuang-Yu’s “ Invisible City: Taiparis York”);with a new way of seeing to explore aesthetic possibilities of representing the oriental landscape painting (Wu Chi-Tsung’s “Landscape in the Mist”), Leviathan-like monstrous image composited from a dozen footages filmed at an open night market to show the danger of consumption (Jawshing Arthur Liou’s “Insatiable”) . The 12 creative videos from Taiwan will subvert the international audience’s impressions on the Taiwanese culture and arts, crossing over the boundaries of fine arts and pop culture. The issues of 《TAIWAN VIDEA》 are not only related to Taiwan itself, but also to the contemporary problems in the world. Creative thinking with universal value is the fundamental necessity of avant-garde images with subversive power.

影像藝術是當代視覺文化極為重要的主題，而影像的魅力主導了新世代生活型態與思考方式，台灣當代藝術中錄像藝術與實驗影像的批判性、原創性與多元性豐富了影像美學與象徵意涵，而在國際與台灣各大影展獲獎的創意影像作品驚艷一時，《TAIWAN VIDEA》台灣前衛影像展即是匯聚上述影像的創意能量與美學特色，精選自策展人於2013-2016年間所規劃《末日感性：臺灣新媒體藝術展》、《TAIWAN VIDEA》、《TAIWAN VIDEA2.0:文化秘遇》三策展計畫中12部臺灣前衛影像作品，包含錄像藝術、行為藝術、實驗影像、實驗動畫、數位動畫、MV動畫等類型，影像深度觸及當代人類生存議題：警示人類慾望以科技文明挑戰上帝的後果(林珮淳「夏娃克隆創造計畫I」)，批判追求「進步」的慾望法則消弭人性(黃贊倫「副本」);揭露當權者所建構美麗的謊言 (陳依純「曲水流豬」)，當代媒體操控集體意識的嚴重性(張徐展「陰極射線管的神秘儀式」)，食物轉喻諷刺政治巧語吞噬人民的美夢人生(王鼎曄「牛肉-美好諾言」)，以類比跨年煙火與燭火的影像隱喻國運歡慶與烈士犧牲的矛盾性(何尉民「Over my dead country」)，自我意識過度擴張的危險偏執(吳梓安「宣言癖」)，個體尋求身體意識自由的空間想像(蒲帥成「秘密平面計畫-浩瀚飄浮」) ，以文化秘遇破除刻板印象（張暉明「Tough Town」），質疑日常生活中擬態景致(崔廣宇「看不見的城市：台巴黎約克」)，以新的觀看方式擴展與再現東方山水美學的可能性(吳季璁「煙林圖」)，以臺灣夜市所攝取的無數影像形成似巨蟒的形象顯示消費危機（劉肇興「未央」）。12部台灣創意影像作品將顛覆觀者對台灣文化藝術的印象，跨越了純藝術與流行文化的界限，議題非僅與台灣相關更與全球當代問題接軌，普世價值的創作思維正是具有顛覆力量的前衛影像所必要的基礎。

TAIWAN VIDEA 2017 Selection
Curator: Yunnia Yang
Duration: 90 minutes

巡映作品（全長90分鐘）

1. Lin Peychwen, Making of Eve Clone I, 2016, 9'
夏娃克隆創造計畫I.林珮淳.2016年.9分鐘

2. Huang Zan-Lun, Double, 2015, 12'55''

副本.黃贊倫. 2015年.12分55秒

3. Chen I-Chun, The Piggy Song, 2013, 8'7''

曲水流豬.陳依純.2013 年. 8分7秒

4. Zhang Xu Zhan, Ritual of Cthode Ray Tube, 2011-2013, 5'

陰極射線管的神秘儀式.張徐展.2011-2013年.5分鐘

5. Wang Ding-Yeh, Beef-Wonderful Promises, 2011, 4'42''

牛肉-美好諾言. 王鼎曄.2011年.4分42秒

6. Ho Wei-Ming, Over My Dead Country, 2013, 11'11''

Over My Dead Country. 何尉民.2013年.11分11秒

7. Wu Tzu-An, Disease of Manifestation, 2011, 9'
宣言癖.吳梓安.2011年.9分鐘

8. Pu Shuai-Cheng, Secret Plane-Immense Floating, 2011, 5'31''

秘密平面計畫- 浩瀚漂浮. 蒲帥成.2011年.5分31秒

9. Chang Huei-Ming, Tough Town, 2015, 9'

Tough Town.張暉明.2015年.9分鐘

10.Tsui Kuang-Yu, Invisible City: Taiparis York, 2008, 5'10''

隱形的城市: 台巴黎. 約克.崔廣宇.2008年.5分10秒

11. Wu Chi-Tsung, Landscape in the Mist, 2012, 10'17''

煙林圖.吳季璁.2012年.10分17秒

12. Jawshing Arthur Liou (Director), Rachel Weaver (Sound composition), Insatiable, 2010, 10'

未央.劉肇興(導演).Rachel Weaver (聲音創作).2010年.10分鐘

TAIWAN VIDEA 2017 Selection from Yunnia Yang’s curatorial projects:
1. The Apocalyptic Sensibility: The New Media Art in Taiwan(WRO Media Art Biennale 2013, Wroclaw, Poland; Taipei Fine Art Museum 2015)
2. TAIWAN VIDEA (Asolo Art Film Festival 2015, Italy)
3. Taiwan Videa2.0: Cultural Encounter (Asolo Art Film Festival 2016, Italy)

《TAIWAN VIDEA》2017 Selection 精選自策展人楊衍畇以下當代藝術策展計畫：

1.《末日感性：臺灣新媒體藝術展》(2013波蘭WRO媒體藝術雙年展. 2015台北市立美術館）

2.《TAIWAN VIDEA》台灣前衛影像展（2015義大利阿索洛國際藝術電影節）

3.《TAIWAN VIDEA2.0:文化秘遇》台灣前衛影像展（2016義大利阿索洛國際藝術電影節）

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About Author / 作者簡介

Yunnia Yang / Curator, Art Historian, Art Critic

(yunnichka.yang@gmail.com)

Expert in Surrealism. Fascinating with Salvador Dali’s ‘Paranoiac Criticism’, Yunnia Yang has an insight into the experimental spirit and unlimited creativity of interdisciplinary arts. She has received the S-An Aesthetics Award with thethesis “Irrational Narration. Myth Making: On the ‘ Angelus myth’ created by Salvador Dalí with the concept ‘Paranoiac-Criticism’” in 2010. In the same year, she has delivered the academic paper ‘Uncovering Alice’s Cabin of Curiosities: on the Sadomasochism of Infantile Imagination in the film ‘Něco z Alenky’ of Jan Švankmajer, in the 6th International Symposium of Surrealism in United Kingdom.For the concern of the impact of media obsession in our lives, Yunnia has curated the experimental performance ‘Manic Depression: The Shadow-Image-Sound Complex’ in the Museum ofContemporary Art (MOCA) in Taipei in 2011.

Yunnia Yang has received the Master degree in Art History from St. Petersburg State University in Russia in 1997, and Doctor degree in Arts from National Taiwan Normal University in 2009. During this period, she managed all kinds of exhibitions, performances, and art events for the institutions of arts, literature and culture in Taiwan. Since 2011, she has launched the long-term curatorial research on ‘ The Postmodern Condition in the contemporary art of Russia and Eastern Europe’ in cooperation with the following art institutions: National Center for Contemporary Arts in Moscow(Russia), the Executive Committee of ‘ Night of Museum in St. Petersburg’(Russia), Agency for Contemporary Art (ACAX) of Ludwig Museum in Budapest(Hungary), Opekta Ateliers Köln(Germany),contemporary art institutions in Balkan region, Contemporary Art Foundation(Taiwan), National Culture and Arts Foundation(Taiwan) and Department of Cultural Affairs, Taipei City Government(Taiwan).This project will be realized in form of thematic exhibitions and monographs.

In 2013, Yunnia Yang was invited by WRO Media Art Biennale to curate the exhibition ' ‘ The Apocalyptic Sensibility: The New Media Art from Taiwan’. The premiere of the artworks from Taiwan in WRO Biennale: Wu Chi-Tsung's 'Crystal City' and Lin PeyChwen's 'Eve Clone' series. With 'Crystal City', Wu Chi-Tsung won WRO 2013 Award- Award of Critics and Editors of Art Magazines.From September 26 till November 15 in 2015, the Homecoming Exhibition from WRO Media Art Biennale 2013 ‘The Apocalyptic Sensibility: The New Media Art from Taiwan’ will be held at Taipei Fine Art Museum in Taiwan. It will give a complete picture of the curatorial philosophy ‘ The Apocalyptic Sensibility’ with the works of the six Taiwanese artists: Chi-Tsung Wu, Pey-Chwen Lin, Zan-Lun Huang, Scottie Chih-Chieh Huang, I-Chun Chen, and Zhang Xu Zhan. They look into the technologized civilization with new sensibilities so that we will have deeper perceptions and contemplations about the consumerism and the media society which we live in.

Hong Kong World Cultures Festival 2013 has been devoted to the focal theme ‘Lasting Legacies of Eastern Europe’, and has organized the exhibition‘East+Europe: Eastern European Contemporary Art Exhibition’. Yunnia Yang has been invited to its international symposium‘Imagination of Eastern Europe’ ( Participating Speakers, including Leung Mee-ping (Curator of “East + Europe: Eastern European Contemporary Art Exhibition),Solvita Krese (Director of Latvian Museum of Contemporary Art),Lukasz Surowiec (Polish artist),Neno Belchev (Bulgarian artist),and Pavlina Mladenova (Bulgarian artist)). In the symposium, Yunnia Yang shared her two-year research and observation on Russia and Eastern Europe. Since 2011, Yunnia Yang has written several articles on the contemporary arts of Russia and Eastern Europe for Taiwanese art journals ‘Art Investment’ and‘Art Collection + Design’. In addition, The Chinese University of Hong Kong has invited her to write the keynote article ‘Constructing the National Mythology of Utopia: Development of the Russian Art in the Twentieth Century' for the University’s Bimonthly Review 'Twentieth-First Century' on February 2014.

Besides the curatorial project “ The Apocalyptic Sensibility: The New Media Art from Taiwan”(WRO Media Art Biennale 2013, Taipei Fine Art Museum in 2015) introspecting our technologized civilization, Yunnia Yang concerns particularly about the influences of the contemporary visual culture and curates various creative video exhibitions. In 2014, she curated the International Creative Video Exhibition “Imagining Crisis” at the Museum of Contemporary Art in Taipei. This video project has toured around the contemporary art centers in Poland, Serbia, Bulgaria and Colombia. In 2015, Yunnia Yang is invited by the 34th Asolo Art Film Festival to curate the two video projects “ Imagining Crisis” and “ Taiwan VIDEA: the Taiwanese Avant-garde Video Exhibition”. In 2016, she is also invited by Asolo Art Film Festival Committee to present “Eco as a verb” as Focal Theme Exhibition of the 35th edition film festival and another video project “Taiwan VIDEA2.0:Cultural Encounter” .In May of 2017, these two projects has been invited by the Museum of nonconformist art (MoNA) and the Pushkinskaya-10 art centre to to participate in the official program of the St. Petersburg Museum Night 2017.In addition, the curator Yunnia Yang has been invited by the 34th-35th Asolo Art Film Festival as an international jury and has eventually been selected by the international jury board as the President of the 34th Asolo Art Film Festival's International Jury Board. Dr. Yunnia Yang is currently the Adjunct Associate Professor of the Department of Sculpture at the National Taiwan University of Arts.

Curator's Blog: http://yunnia.blogspot.tw

Teaching Blog:

http://artliketravel.blogspot.tw

楊衍畇/策展人,藝術史學者,藝評人

長期專注於超現實主義的研究，著迷於達利的「偏執狂批判」，楊衍畇極為推崇跨領域藝術的實驗精神與無限創意。她曾於2010年以論文〈瘋狂敘事‧建構神話－論達利以「偏執狂批判」創造之「晚禱神話」〉獲得世安美學論文獎，同年於英國舉辦的國際超現實主義研討會中發表〈論Jan Svankmajer電影「愛麗絲夢遊仙境」中兒童想像力之虐戀特質〉。憂心媒體過度影響到我們的精神生活，她曾在2011年於台北當代藝術館策劃製作「躁鬱症」影－音互動實驗表演。

1997年取得於俄羅斯聖彼得堡大學藝術史碩士，2009年獲得國立臺灣師範大學美術研究所博士，期間她為藝術經紀公司、文化基金會、與國際書展單位策劃各類型的展演活動。自 2011年起，她展開長程的策展研究計畫「俄羅斯與東歐當代藝術之後現代情境研究」，國際合作單位包括莫斯科當代藝術中心(俄羅斯) 、「聖彼得堡博物館之夜」執行委員會（俄羅斯）、布達佩斯路德威希當代藝術館國際當代藝術交流機構（匈牙利）、科隆Opekta 藝術工作室(德國)、巴爾幹地區當代藝術中心，陸續由國內的當代藝術基金會與國家文藝基金會支持贊助。該計畫將會在未來以主題策展與出版專文實踐。

2013年受波蘭媒體雙年展邀請策畫「末日感性：臺灣新媒體藝術展」，展出台灣藝術家吳季璁「水晶城市」及林珮淳「夏娃克隆」系列作品，吳季璁「水晶城市」獲得國際評審青睞，勇奪波蘭媒體雙年展首獎-藝術雜誌評論與編輯大獎(WRO 2013Award-Award of Critics and Editors of Art Magazines)。2015年9月26日至11月15日將於北美館舉辦「末日感性：臺灣新媒體藝術」波蘭返國展，將呈現「末日感性」策展意念的全貌，吳季璁、林珮淳、黃贊倫、黃致傑、陳依純、張徐展六位藝術家以新感性思維看待科技文明，處於消費主義與媒體社會影響的我們將會有更深刻的感受與省思。

2013年香港世界文化藝術節以「東歐芳華」為主題策畫「東+歐:東歐當代藝術展」，受邀於香港大會堂參與「想像東歐」國際座談會(座談講者包括香港策展人梁美萍、拉脫維亞當代藝術中心總監Solvita Krese、波蘭藝術家Łukasz Surowiec 、保加利亞藝術家Neno Belchev、保加利亞藝術家Pavlina Mladenova )，在座談會中分享兩年來的研究觀察。2011年迄今，陸續於「典藏投資」、「藝術收藏+設計」發表多篇以俄羅斯與東歐當代藝術為議題的評論與觀察專文，香港中文大學「二十一世紀」雙月刊邀稿撰文「建構烏托邦的國家神話：二十世紀俄羅斯藝術發展」，於2014年2月號發表。

除策畫反思科技文明的「末日感性：臺灣新媒體藝術展」(2013年波蘭媒體雙年展、2015年台北市立美術館)，楊衍畇特別關注當代視覺文化的影響力，策畫各類創意錄像展覽，2014年於台北當代藝術館策劃「危奇觀」(Imagining Crisis)國際創意影像展，已國際巡迴至波蘭、塞爾維亞、保加利亞、哥倫比亞等國當代藝術中心展出，2015-2016連續兩年榮獲世界歷史悠久的國際藝術影展－義大利阿索洛國際藝術影展(Asolo Art Film Festival)之邀，策劃「危奇觀」與 “TAIWAN VIDEA”台灣前衛影像展(2015)，2016年該藝術影展主題展"生態作為動詞"(Eco as a Verb)與“TAIWAN VIDEA2.0:文化秘遇”。2017年5月, 兩項錄像主題展更榮獲俄羅斯“普希金10號”當代藝術中心與俄羅斯反傳統藝術美術館之邀參加2017聖彼得堡博物館之夜。此外，策展人楊衍畇獲影展主辦單位邀請為這兩屆影展國際評審，並由評審團遴選為第34屆義大利阿索洛國際藝術影展國際評審團主席(2015)。楊衍畇博士現職為國立台灣藝術大學雕塑系兼任助理教授。

個人部落格: http://yunnia.blogspot.tw

教學部落格: http://artliketravel.blogspot.tw/

Yunnia Yang: Curator for New Aesthetics

2017年7月9日星期日

TAIWAN VIDEA 2017 Selection~ Video Screening Tour Around Europe ( July 19 -August 20, 2017) / «Taiwan Videa»2017Selection 臺灣錄像巡映歐陸交流計畫(2017.07.19-08.20)

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2017年7月9日 星期日

TAIWAN VIDEA 2017 Selection~ Video Screening Tour Around Europe ( July 19 -August 20, 2017) / «Taiwan Videa»2017Selection 臺灣錄像巡映歐陸交流計畫(2017.07.19-08.20)

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2017年7月9日星期日